t =x- about the repetition of circles, sounds and lines<\/p>\n
In ihrer k\u00fcnstlerischen Arbeit besch\u00e4ftigt sich Celia Meissner mit Reduktion, Klarheit und Tiefe. Multimedial schafft sie zwei- und dreidimensionale R\u00e4ume, die dazu einladen, f\u00fcr einen Moment, ganz in die Arbeit einzutauchen. Durch reduzierte grafische Formensprache und sich wiederholende Rhythmen erm\u00f6glicht Meissner einen Einblick in Momente, die ihr in einer Zeit der st\u00e4ndigen Reiz\u00fcberflutung als Ruhepol dienen. Wiederholungen und Vertiefungen lassen sich in den visuellen Medien wie Zeichnung und Skulptur ebenso wiederfinden, wie in den akustischen Kompositionen, die sich oft wie eine eigene Atmosph\u00e4re um die Installationen legen.<\/p>\n
Zyklen, Kreise, Wiederholungen. Vom Anfang zum Ende, oder vom Anfang zum Anfang? Und was ist dazwischen? Wir gehen nach aktuellem Kenntnisstand davon aus, dass unser Universum endlos expandiert. Alle Materie und Energie verteilt sich in einem undefiniert weitem Raum. Irgendwann wird alle Materie vergl\u00fcht sein. Es entsteht eine Stille und Leere. Was w\u00e4re, wenn unser Universum zyklisch existieren w\u00fcrde? Nach der \u201eBig Crunch\u201c Hypothese f\u00e4llt das Universum an einem bestimmten Punkt der maximalen Ausdehnung zu mehreren schwarzen L\u00f6chern zusammen, die sich zu einem gro\u00dfen schwarzen Loch verbinden, welches sich selbst verschluckt. Das w\u00fcrde bedeuten, dass die existierende Energie sich wieder auf einem Punkt versammelt, und wenn maximale Energie auf minimalem Raum zusammengekommen ist, genug Substanz da ist um wieder als Urknall zu explodieren und zu expandieren.<\/p>\n
In der Ausstellung \u201et = x- about the repetition of circles, sounds and lines\u201c setzt sich Celia Meissner mit der Vorstellung des zyklischen Universums auseinander. Mit der Ausdehnung und dem Zusammenziehen von Energie. Ein Pulsieren. Beginnend mit der Darstellung des gesamten Zyklus, werden fortf\u00fchrend einzelne Momente genauer betrachtet. Interpretationen von Momenten auf dem Zeitstrahl des Universums. Immer als visuelle und klangliche Erfahrung. Entgegengesetzt zur Schnelligkeit des Vergehens von Momenten ist der Arbeitsprozess der Zeichnungen einer, der Langsamkeit erfordert. In einem fast meditativem Zustand werden die Bilder aus dreidimensional gezeichneten Kugeln zusammengesetzt. Es ist eine Wiederholung, sowohl im Motiv, als auch in der Bewegung. In den Skulpturen zeigen sich Ausschnitte aus dem Zyklus raumgro\u00df. Betrachter*innen bekommen die M\u00f6glichkeit, in dem dargestellten Moment zu stehen. Intensiviert wird das durch die klangliche Interpretation der Energie, die sich in dem Moment konzentriert. Die Kompositionen basieren ausschlie\u00dflich auf der Stimme der K\u00fcnstlerin, da aus ihrer pers\u00f6nlichen Perspektive ihre Stimme f\u00fcr diese Arbeit das einzig angemessene Instrument war, welches die nicht sichtbare, aber innewohnende Energie \u00fcbersetzen konnte. Die Ausstellung l\u00e4dt dazu ein sich in Momente der Langsamkeit fallen zu lassen. Sich zu l\u00f6sen von den allt\u00e4glichen Themen, die einen begleiten, sich durch die Arbeiten treiben zu lassen und in den Klangr\u00e4umen zu verweilen. Das Thema begleitet Celia Meissner seit Anfang 2023. 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